[Theodore Bikel:] This, as you might have guessed, is the end of the movie. The entire cast is assembled here at the Centerville Recreational Facility to bid farewell to you, and to express thanks for your attendance at this theater. This might seem old fashioned to some of you, but I'd like to join in on this song. It's the kind of a sentimental song that you get at the end of a movie, it's the kind of a song that people might sing to let you in the audience know that we really like you and care about you, yeah... Understand how hard it is to laugh these days, with all the terrible problems in the world! Lord, have mercy on the people in England For the terrible food these people must eat (Errrr... Excuse me) And may the Lord have mercy on the fate of this movie And God bless the mind of the man in the street Help all the rednecks and the flatfoot policemen Through the terrible functions they all must perform God help the winos, the junkies, and the weirdos And every poor soul who's adrift in the storm. Help everybody, so they all get some action Some love on the weekend, some real satisfaction [Phyllis Bryn-Julson:] A room and a meal And a garbage disposal A lawn and a hose'll Be strictly genteel Reach out your hand to the girl in the dog book The girl in the pig book, and the one with the horse Make sure they keep all those businessmen happy And the purple-lipped censors and the Germans of course Help everybody, so they all get some action Some love on the weekend, some real satisfaction A Swedish apparatus With a hood and a bludgeon With a microwave oven 'Honey, how do it feel?' Lord, have mercy on the hippies and faggots And the dykes and the weird little children they grow Help the black man Help the poor man Help the milk man Help the door man Help the lonely, neglected old farts that I know [Theodore Bikel:] It's been swell havin' you with us tonight, folks! [Mark:] But, don't leave the theater yet, 'cause there's still more to come, but before we go on, I want to introduce to you my friend and musical associate, Howard Kaylan, who's going to give us all a final closing benediction FRANK ZAPPA Strictly Genteel songtext, FRANK ZAPPA 1971 28. ![]() BEST VIEWED IN 480p, CC SUBTITLES CREATED W/ YOUTUBE SUBTITLER TURN ON CC IN THE MOVIE WINDOW FRAME AND SING ALONG! THAT'S WHAT I DO! Frank Zappa & The Mothers 0f Invention. Strictly Genteel (The Finale) 35. Album to 1987s# 39; Strictly Genteel. Hip- O Zappa Records 1967. Downloadp) Frank Zappa The Mothers Of Invention Freak Out! That gathered four CDs worth. WHILE PEOPLE ARE ASLEEP! This is a mix of four different arrangements / recordings of 'Strictly Genteel,' synchronized measure for measure and then re-synchronized to the video. The sources are: 1. 200 Motels Original Soundtrack album (hereinafter called OST). Recorded 1971 2. London Symphony Orchestra, Vol. Recorded 1983 3. 200 Motels movie audio (200M). Recorded 1971 4. Make A Jazz Noise Here, disc 2 (MJNH). Recorded 1988 The reason for doing this mix is that I love this song and wanted to hear it this way. It's a stunning piece of music and it's a crime that the sound to the 200 Motels movie is horrible (and unrecoverably so), and the soundtrack album only a little better. I wanted to hear the vocal parts WITH the digitally recorded orchestral version which, despite Zappa's friction with the musicians, turned out spectacularly. In all sections but one, OST set the tempo to which the others were conformed. With three different conductors, wildly different tempi in sections, improvisation, and swing feel, timestretching was necessary. The timestretching algorithm used was the DAW default factory algorithm and produced some artifacts -. The attacks are smeary but there are some amazing timbres. To make them fit together in the mix, LSO was M-S processed for wide soundstage and the others narrowed, and each track gently EQd. An interesting phasing result: if the sound mix is reduced to mono, the LSO almost drops out entirely. All sources except 200M were 44.1k. ![]() OST, LSO, and MJNH were (luckily) already in tune, but 200M had bad pitch variance from the poor video/film/DVD transfers. Plus it's in a lower key, faster tempo, and higher sample rate. To correct this, I raised the 200M from 48k to 50.4k, and downsampled to 44.1k before synching. This helped but there's no getting around the awful fact that 200M sounds like sh*t to begin with. Thus this track was only featured in certain sections, e.g. Soprano harmonies. MJNH's tempo was more wildly different from the others, thus ended up with more audible timestretching artifacts, and it too is featured in sections but faded for others in the interest of a less distracting mix. Editing and Continuity notes: *200M & OST both have Flo & Eddie's spoken outtro before the rock jam starting with 'They're gonna clear out the studio.' - MJNH has a band namecheck followed by a slight uptempo comeback and tag which closes out the concert - and LSO just plain fades. The latter was chosen.
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